Live streaming of MDM16

If you're not able to make it to New Bedford this weekend, you can watch a live stream of the entire Marathon. Last year's inaugural stream was very well done — the camera and audio techs stayed attentive for the entire 25 hours, following the Marathon as it moved to the Seamen's Bethel, and through several rooms in the Museum. The streams were available later as archived recordings. (You can view recordings of MDM15 now, although they may be replaced by MDM16.)

Note 1: My Safari browser under Mac OS X 10.5.8 has trouble with the video player, but Firefox works fine.

Note 2: If you tune in before the kick-off at Noon this Saturday, you may only see a static image or some canned footage.

What to expect?

Packing for MDM16 now, I was reminded of reading this 4-part post when I was anticipating my first MDM.

 ... The young woman Carol spoke with last night is one of them, now attired in pajamas and bathrobe. ...

 If this is your first MDM, you can expect a well-organized, tolerant, focused, quietly convivial affair.

Today in History

New Bedford Harbor, 1893

In the hectic run-up to MDM16, we're grateful to The Writer's Almanac for noting that today is the 171st anniversary of Herman's departure on the whaleship Acushnet, from New Bedford Harbor. (The ship was registered in Fairhaven.) In 1841, he was just 21 years old. That voyage proved to be his "Yale College and [his] Harvard."

For its first thirteen editions, the Moby-Dick Marathon began on January 3 in remembrance of Melville's sailing. It wasn't until 2010 (MDM14) that the event was moved to the first weekend after the New Year holiday, to make it more accessible for the conscientious laborers among us.

The ship Acushnet was named after the Acushnet River, which forms New Bedford Harbor where the river enters Buzzards Bay. According to Wikipedia:

The name "Acushnet" comes from the Wampanoag Algonquian word, "Cushnea", meaning "as far as the waters", a word that was used by the original owners of the land in describing the extent of the parcel they intended to sell to the English settlers from the nearby Plimouth colony.

Charles Olson's 101st

Charles Olson

Today is the 101st birthday of Charles Olson. Fans of experimental, tantalizing, abstruse, marvel-filled, American poetry might know him from his magnum opus, The Maximus Poems.

His first book, however, was Call Me Ishmael (1947). It is the culmination of his research on Melville, begun while working on his Master's degree (thesis: The Growth of Herman Melville, Prose Writer and Poetic Thinker), and continued at Harvard (where his paper Lear and Moby-Dick helped earn him his first of two Guggenheim fellowships).

Olson was one of the first scholars to consider the importance of Melville's reading and marginalia. Part of his work involved hunting down books from Melville's library that had since been passed to family members and collectors. When Olson located a book, he made detailed notes of his interviews with family members, and meticulous transcriptions of Melville's marginalia — all on 5x7 index cards. After the publication of Call Me Ishmael, Olson stored those cards in a trunk in a friend's cellar. Over the years, the cards were damaged by water and mildew.

Olson died in 1970 and is buried in Beechbrook Cemetery, Gloucester, Massachusetts. (His Colonial-style slate headstone is proving problematic.)

In 1973, the University of Connecticut purchased Olson's papers. In 2000, a project to conserve his note cards was initiated. The current state of the project (card images and transcriptions) is viewable at the site: Charles Olson's Melville Project.

But back to Call Me Ishmael. It's definitely worth a read, although you may find it "unusual" in its presentation. It is literary criticism as written by a nascent poet — freewheeling and condensed. For example:

To MAGNIFY is the mark of Moby-Dick. As with workers, castaways, so with the scope and space of the sea, the prose, the Whale, the Ship and, OVER ALL, the Captain. It is the technical act compelled by the American fact. Cubits of tragic stature. Put it this way. Three forces operated to bring about the dimensions of Moby-Dick: Melville, a man of MYTH, antemosaic; an experience of SPACE, its power and price, America; and ancient magnitudes of TRAGEDY, Shakespeare. 

A "Maximus-style" feature film about Olson's connection to Gloucester is viewable on the Web:

Parts 2 - 6 are viewable at FerriniProductions.com.

Occupy Johnny Cake Hill

From Chasing the White Whale, David Dowling's examination of the MDM:

...the all-night feature of the Moby-Dick Marathon reading functions not as an eccentric solipsistic dare so much as a way to collectively expose the cultural anxiety about the death of literature, the death of reading great works unabridged, sans Cliff's Notes, summaries, digital or online shortcuts of any sort. In this light, the New Bedford reading functions almost like a sit-in protest [emphasis mine] against the technological threat posed to the love of long, difficult literature and the patience, endurance, and long attention span it demands.

The death of literature, the erosion of human potential by technology; and our collective struggle against these forces... Here's that clip again:

The Extracts, yes!

Announced on the Whaling Museum's blog:

At 11:30 a.m. in the Bourne Building, Melville Society members will read many of the 80 brief "Extracts" related to whales and whaling, which Melville included before Chapter 1.

Is someone at the Museum reading this blog? Both Lemuel and I have argued that the MDM curiously omits two chapters of Moby-Dick: Etymology and Extracts. (And the Iron-Bound Bucket concurs!)

Now it appears that the MDM is, at least partially, addressing our pleas. (Why not read all of the Extracts? Why skip Etymology?)

Still, it's clear, the Marathon gets better every year!!

Note: The Bourne Building is that older part of the museum, which houses the Lagoda.

Get ready!

Here we are less than a month away from MDM16. If you cannot be in New Bedford the weekend of January 7 to read along, you can follow the event via the Museum's live video stream (details at above link), and monitor Twitter hashtag #MDM16.

If this is your first Moby-Dick Marathon, we hope that you will benefit from some of the posts on this blog. Lemuel has written on the physical and psychical aspects of the Marathon, and has a paean to the "Graveyard Shift". I culled from the Web recommendations on how to prepare for the all-night-on-your-blunt-end event. For your safety, see Lemuel's health warning.

If you have reserved a spot as a reader, or hope to be called as a standby reader, Lemuel's series can guide you (e.g., Rule 2: Speak the text, the whole text, and nothing but the text.).

Whether you make it to New Bedford this year or not, every mother's son and daughter needs a decent, printed copy of our treasured text. My search for the ideal edition of M-D should provide some grist for your mill.

Some info on parking, accommodations, and restaurants in New Bedford is here.

Finally, preparatory to casting off for the Whaling Museum, read our Marathoner's Checklist.